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Report of the 02's British Music Experience by John Fordham
The British trad boom
– that fervent 1950s revival of black
The venue, with its
Disney World slickness, seemed a weird place to celebrate a phenomenon that
had begun in the hands of an amateur band of Vickers machine-gun makers in a
Clarinetist Acker Bilk
and trumpeter Kenny Ball then took a set each, with Bilk's Paramount Jazz
Band engagingly galvanised by the excellent Armstrong-inspired trumpeter
Enrico Tomasso, and the leader's own fluid, deep-toned sound sporadically
easing into its stride. Bilk had a good line in deadpan gags, but wearily
donned his famous bowler hat and ran through the inevitable Stranger on the
Shore as if keen to get to the end. Kenny Ball's band then unpacked a mix of
his 60s hits, a jazz feature on Bach's Toccata and Fugue in D minor for his
pianist Hugh Ledigo, and a vigorous percussion display for drummer Nick
Millward. The Louis Prima Jungle Book hit I Wanna Be Like You was hammy, but
the million-selling Midnight in
To Book the 3bs or any of the 3bs please contact Les Squires on
08450-008-007
New Tour
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Kenny Ball is a legend. Probably the
greatest test of an artist's success is his durability. Kenny is now
a genuine institution, and the most successful jazz trumpet player
this side of the
The Jive Aces are the
The show consists of: first half by
the Jive Aces, a twenty minute intermission, then Kenny Ball and his
Jazzmen for the second half. The show ends with Jive Aces coming
back on with Kenny for a sensational finale with both bands. |
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